About Me
I’m a 23-year-old artist working across sculpture, painting, textiles and enamelling. My practice explores landscape, material and surface, often drawing from post-industrial environments and the traces left behind by human intervention. I’m interested in the tension within these spaces, between beauty and damage, permanence and erosion, and how materials can hold memory and history.
Much of the work is informed by my grandfather, who was a miner, and by growing up surrounded by landscapes shaped through extraction and labour. His history, alongside the physical remnants left within the landscape, continues to influence the way I think about material, process and place.
Working intuitively through making, I use texture, composition and form to explore ideas of excavation, fragmentation and transformation. Painting and Photography often operate alongside my sculptural practice as a way of testing colour relationships and spatial compositions that later feed back into three-dimensional work. Across different materials and processes, I’m drawn to methods that feel physical, experimental and responsive.
I completed a BA in Fine Art at the University of the West of England, where I first fell in love with ceramics and the physicality of making by hand. I’m currently completing an MA in Ceramics & Glass at the Royal College of Art, continuing to develop a material-led practice grounded in experimentation and process.
Exhibitons
Awards
Tregye, Cornwall,
07/22
'Fuck, Marry, Kill'
Spike Island, Bristol,
02/23
'Where Abouts?'
Spike Island, Bristol,
11/22
'Spike Collective'
Spike Island, Bristol,
04/23
Spike Island, Bristol,
12/23
'Something Out of Nothing'
Spike Island, Bristol,
10/24
'Veiled'
Bower Ashton, Bristol,
12/24
'Showcase 2025'
Spike Island, Bristol,
06/25
Dyson Building, Howie Street, London
06/26
Supported by
The Worshipful Company of Tin Plate Workers alias Wire Workers of the City of London
08/26